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Read This Must Be the Place: A Queer East Correspondence
A collage of scenes from a film, including a man in traditional Japanese dress, a woman in a revealing dress, and various other characters in action.

This Must Be the Place

Festivals by Qinghan Chen, Lydia Leung

A Queer East Correspondence

Read it
Illustration of a man in a grey suit holding a glass of champagne, surrounded by other people in a social setting.
LWLies Magazine

LWLies 108: The Phoenician Scheme issue: Out now!

by Little White Lies

Pack your bags for a mad­cap, cross-coun­try adven­ture with our issue ded­i­cat­ed to Wes Anderson’s lat­est, The Phoeni­cian Scheme.
Illustrated surreal scene with central figure in red suit, glasses, and hat against yellow sky with small figures in background.
Partnership

The Dreamworld Aesthetic of 8½

by Christina Newland

Through its vision­ary cin­e­matog­ra­phy and cos­tume design, Fed­eri­co Fellini’s 1963 film mas­ter­ful­ly blurs the lines between mem­o­ry, real­i­ty and fantasy.
Text in bold: "La Dolce Vita" Stylised title in gold with decorative elements on a yellow background.
Partnership

Introducing… La Dolce Vita: A Celebration of Italian Screen Style

by Little White Lies

This sum­mer we’re invit­ing you to indulge in a slice of the sweet life with Disaronno.

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Protein review – nasty, funny, soulful

by David Jenkins

A gang of small-town drug deal­ing gym rats are set upon by a mur­der­ous stranger in this sat­is­fy­ing Welsh genre piece.

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Dream­works’ first for­ay into the world of live-action remakes is fair­ly unre­mark­able despite occa­sion­al sparks of magic.

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Lollipop review – a gut-punching debut

by Emily Maskell

Daisy-May Hudson’s impres­sive fic­tion debut lays bare the bureau­crat­ic cycles a young woman has to face as she attempts to regain cus­tody of her children.

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by David Jenkins

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Woman in hijab and keffiyeh speaking into multiple microphones amidst crowd.
Review

The Encampments review – inspiring portrait of collective action

by Josh Slater-Williams

Kei Pritsker and Michael T Work­man chron­i­cle the stu­dent move­ment for Pales­tine through the Gaza Sol­i­dar­i­ty Encamp­ment at Colum­bia University. 

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Features

Illustration of a smiling Daisy-May Hudson by Judith P. Raynault
Interviews

Daisy-May Hudson: ‘I want to make films that crack people’s hearts open’

by Katherine McLaughlin

The ambigu­ous and some­times trag­ic nature of moth­er­hood is the sub­ject of writer/​director Daisy-May Hudson’s force­ful debut, Lollipop.
A collage of scenes from a film, including a man in traditional Japanese dress, a woman in a revealing dress, and various other characters in action.
Festivals

This Must Be the Place: A Queer East Correspondence

by Qinghan Chen, Lydia Leung

In col­lab­o­ra­tion with the Queer East Film Fes­ti­val, this year’s Emerg­ing Crit­ics cohort offer their respons­es to the film programme.
Silhouette of a person seated on a bench in a misty, blue-toned environment.
Festivals

Resurrection – first-look review

by Hannah Strong

Bi Gan’s third fea­ture is an epic in every sense of the word, tak­ing view­ers on a sprawl­ing odyssey through cinema.
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Festivals

The Mastermind – first-look review

by Hannah Strong

An art theft spells dis­as­ter for Josh O’Con­nor in Kel­ly Reichardt’s excel­lent Viet­nam-era heist dramedy.
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Interviews

Wes Anderson: ‘You’re hoping for the right accident’

by Hannah Strong

We speak to the mas­ter­mind behind The Phoeni­cian Scheme about fam­i­ly, fathers-in-law, and the great, grand plan of all things Wes Anderson.
A portrait of a serious-looking Black man with short, curly hair, wearing a light-coloured shirt against a background of greenery.
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Monica Sorelle: ‘I’m working through my grief about Miami changing so rapidly and violently’

by Juan Barquin

As her debut receives a UK pre­mière as part of the BFI’s Black Debu­tants sea­son, Mia­mi film­mak­er Mon­i­ca Sorelle reflects on the mak­ing of Mountains.
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